Monday, July 09, 2007

Blood and Scrimshaw

flail-points rasped to burr-edges on a match striker
and a pull of yellow-sulfur air black with chamfer and junk-worry
skin anointed with grain alcohol and puddle tarn, and the hex of her arm
roughshod with brittle, lost in that corner where thoughts are devils
and children’s scabbed over knees are revenants of dog’s tongues, milk
teeth and whalebone, and church spires tracing blood and scrimshaw
on the boughs of moth-nettled arms

Ray begged for coppers and unused change with his left hand, the right one having been sheared off by a cog pin. He disliked cows’ tripe, moth collections and anything soaked in formaldehyde. His father drove for the Mercury Fish company and liked molasses candies, which he pilfered from the walk-in freezer behind the punch-in meter. Ray’s mother volunteered with the deaf and wore red taffeta dresses with beige stockings. She had rickets which she salved with desiccated goat’s milk and castor oil. Ray’s brother had spayed feet and a cowlick that formed a cone on the top of his head. He wore shoes with struts and a hat that keeled to one side, making him look off-centred and fat. On his twenty-first birthday Ray lost his mind two hours after dropping acid and drinking a Coke laced with Bufferin, which he stole from the Cantor’s Bakery behind the Mercury Fish company. That Wednesday Ray’s brother moved into his room and took down all his posters.

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"Poetry is the short-circuiting of meaning between words, the impetuous regeneration of primordial myth". Bruno Schulz